Dominic Michel
Chambers, 2022
Silkscreen ink on packaging boxes




Chambers are accumulations of abandoned packaging cases. Minimalist hieroglyphs that have been veiled in monochrome. This transformation brings a new focus to the scene. Michel’s interest lies in the interstices and transitional processes in a world of goods. Gaps as capacities, where he locates the fact that not only material objects but also bodies, desires, and relations are part of a valorising system and are fetishised in their supposed uniqueness.

25.10.24 — 10.12.24